tingling needle points tickle the soles of
my feet, as your attempts at skipping
rocks fail. They succeed, though in creating
pulsing rings that uspest the mirror,
in which a second sky, one smooth as
brass, and in constant movement resides.
The only way to catch the sunlight,
and hold it for hours, like in a fishing
net, is to summon up the clouds to do
your bidding. They look like the day's
last breath, hovering just above the trees,
clinging to the air like words do in winter.
I take a stone from your hand, bouncing
it from palm to palm, testing its weight.
Maybe I could hit the sun I say,
looking into your eyes. Try you say but
you'll have to move quick, only half is left.
I pull my arm back, hard, and throw
the gray pebble, it disappears, with no
business being in such an array of color,
on such a July day, when the air
smells of salt and something else.
It disappears and we never see where it
lands. There are no rings disturbing the sky.
Okay, so I'd like to know if you like it, but I want you to tear it to shreds. This is workshop, tell me what you hate, tell me what to change. This poem is crap, tell me why.
Heather
Wednesday, July 2, 2008
inlet sunset
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5 pairs of penny loafers:
wow. i believe in good comments first, but i'm going to leave you with the warm fuzzy feeling after i shred it. is that okay?
-i have major problems with the first stanza. you're doing a lot of telling and not showing. i can't really see what you're talking about. and the second sentence in the first stanza is confusing. they fail, then they succeed? what?
-please get rid of the last sentence. it's such a strong ending without it. just get rid of it, i beg you! it slows it down. it throws the rhythm off.
so what i'm going to say is scratch the first stanza. you'll have to put in words like "lake" or "water" in some places, but that shouldn't be that big of a deal.
+ HOLY CRAP THE IMAGERY. "they look like the days last breath" "cling to the air like words do in winter."
+the last stanza is so gorgeous. we (the reader) are very much present, and yet i feel like you're not just talking about a pebble. as if a dream is dying or a future is dying. it's really beautiful.
<3 emilea
It isn't crap.
shhh.
I will tell you what slightly weighs down the sheer amazingness of everything else (besides what Emilea said. I agree with most of that, but I don't want to be redundant. She's said most of the stuff that I was going to, though, so bear with me).
I LIKE the dialogue, but it kind of throws off the syntax. Also, maybe establish the relationship between the two people a little bit better? I don't know. There's clearly a story between them, but you're kind of vague, so the reader doesn't know what kind of relationship they actually have.
And. Um. Yeah, Emilea basically said everything I have a problem with.
I love the first line of the second stanza- the entire second stanza, really- which is why you should definitely open with that. It makes the poem much stronger.
I love it. I loveitIloveitIloveit.
-caroline
I'm very glad you put the positive at the end, otherwise I would have been crushed.
Not really, of course, because I asked for it, but still...you know what I mean.
remember the conversation we had about river water, and mamie said that as poets, we should do more with them? look up li young-lees' poem this hour and what is dead. i just found him comparing "love...like river water." it made me smile!
happy fourth,
emilea
i have a question: HOW DO YOU GET COOL NEW TEMPLATES???????
emilea
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